Selden Lamoureux

My connection to clay was as instantaneous as it was unexpected.  From the first, I had a strong sense of its vocabulary and grammar, and have been in conversation with it ever since. I have worked in clay for over forty years. In the early 1980s I received an AA in Production Crafts from Haywood Tech, and then moved to Creedmoor where I had a studio at Cedar Creek Gallery. After more than a decade as a studio potter, I moved away from pottery as my only means of support, but was never long without a small studio. In the past few years I have once again been working exclusively in clay.Along the way I’ve worked with a number of inspiring potters including Sid Oakley, who not only had a magnificent vision, but made it manifest; Brad Tucker, my idea of the complete potter‚ creating the perfect balance of form, function, and surface; and Siglinda Scarpa, who is a fearless woman and artist, and challenged me to take what I see around me and incorporate it into my pottery.   Recently I have been inspired by the painter, Sarah Graham, a fellow Guild member, whose images are both universal and timeless.